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Selected Published Works

“The Nose of Death: Materialism and Genre in Thomas D’Urfey.” Under review.

“Empirical Testing and Novelistic Becoming: Joseph Glanvill’s “Evidence” Concerning Witches and their Familiars.”&�Բ�����;1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era 21 (2014): 3-25.

“The World After Progress: The Thomas Browne of W.G. Sebald.”&�Բ�����;English Studies in Canada (ESC) 39.2-3 (June-Sept 2013): 217-249.

“Productive Disorientations: The ‘Anomalous’ Volume 7 of Tristram Shandy.”&�Բ�����;Lumen (Annual Publication of the Canadian Society for Eighteenth-Century Studies (CSECS) 30 (2011): 61-77.

“The Motions of Laughter: Allegory and Physiology in Walter Charleton’s Natural History of the Passions (1674).”&�Բ�����;Intersections: Yearbook for Early Modern Studies Vol. 9: Spirits Unseen: The Representation of Subtle Bodies in Early Modern European Culture. Eds. Christine Göttler and Wolfgang Neuber. Leiden, The Netherlands: Brill Academic Publishers, 2007. 293-312.

 “Andrew Suknaski’s Wood Mountain Time and the Chronotope of Multiculturalism.”&�Բ�����; Mosaic: A Journal for the Interdisciplinary Study of Literature.  Special Issue, Idols of Otherness: The Rhetoric and Reality of Multiculturalism.  29/3 (September 1996): 35-51. Best Special Issue for 1996 Award, Council of Editors of Learned Journals.

Dr. Morgan gratefully acknowledges the Wallace and Margaret McCain Faculty Research Award in the 2005-2006 academic year for assistance enabling completion of the article, “The Motions of Laughter: Allegory and Physiology in Walter Charleton’s Natural History of the Passions (1674),” cited above.